ENGINEERINGATLANTA.BLOGSPOT.COM

A blog all about recording and mixing.

Saturday, February 28, 2009

Tools of the trade.


A quick glimpse into all of the added features in Protools 8. I personally havent had alot of face time with it yet, but the things Ive seen so far have been really cool. I really like the look of it, even though its clearly looking more and more like logic, I think its in light of all the new users apple has acquired with Logic the last couple of years, mainly with producers. Digidesign certainly has stepped up there game in relation to music production, but I dont see them making a dent in that logic armour quite yet. With many of its new features aimed towards producers, with all the midi editing functions and added software instruments, it should have a couple of guys thinking twice about using it as more of a production tool. Even us engineers should be excited, added tracks in LE versions, its making workflow a breeze. With added playlist views, elastic pitch, and also being able to comp vocals even faster than before, it has me ready to cop and upgrade from 7.4 already. Here is a nice lil tutorial vid on some of the features mentioned above and more.This version is definately all about the customization and look.




Here's another vid I found while researching the new version, Mike Shinoda of Linkin Park explains how hes using the new features in his production and recording techniques with his band as they record new material for their upcoming album. Very cool vid, Mike is simply an amazing Producer/Engineer.

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Friday, February 27, 2009

I Uplifted My Prada


So to all my regulars, as you can see I uplifted my blog prada, which means ya boy has stepped his blogging game up to a whole nother level. Got a nice lil energy popping now that I did this update. Im in between sessions and what not now so I had some time on my hands obviously lol. Leave comments check out some of the newly added links to other sites and blogs, and feel free to make requests on what you guys wanna see here on the site.

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Thursday, February 26, 2009

The Realness


Photoshop finally.

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Sunday, February 22, 2009

Secrets Of The Mix Engineers: Robert Orton


Awesome article about Mix engineer Rob Orton. He mixed Let's Dance recently and Sound on Sound Did a dope article on some of the stuff he used while mixing the track at Sarm 3. I was impressed that he mixes in the box ( meaning he mixes mainly in his computer ) good to see more and more guys staying inside, gives engineers who rarely have the chance to mix on desks in major facilities hope and inspiration on how it can be done. He uses alot of stuff that me and Miles do, and sounds as if he has a beast of a rig, "armed to the teeth with plug ins".




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Las Vegas Sun Article



I almost forgot that while i was in Vegas recording, they did a story on The Studio At The Palms in which we were recording, well actually just listening that day, to some of the tracks we had recorded the past 2 weeks. I strolled into the other studio to mess around and the photographer actually sneaked some dope pics of me. I actually play, have since high school. Pretty cool story on easily my favorite studio outside of Georgia. Check it out here:


http://www.lasvegassun.com/news/2009/feb/04/casinos-cradle-sound/

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Saturday, February 21, 2009

Silent Camp Out

So we have shifted over to silent sound for the next few days.....more of the same project....but here's what it's looking like right now...

Here's Kory looking suspect (obviously busted looking at porn)...

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My API's are in FULL effect too on the keyboard too, and the Neve 1073 on the MPC....sounding tasty...

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....well...that's it for now, but i'm sure I'll have more thru the week....maybe even some decent quality ones if J comes by!!

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Thursday, February 19, 2009

PWR 9K

Working along in 9000 at Patchwerk again....

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...had a good 2 days over there with Snotty and Bangladesh....dude has a simple set up, but really knows how to make the most from his MPC...

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...you know I had to bring some of my toys too....both gear and literal toys...

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...everything was sounding good and working away.....nice few days.....and before anybody gets any bright ideas to hate on the pics....read the post below! I'm working on it alright!!!

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Wednesday, February 18, 2009

Why ya boy has such garbage bag pics.....

Alright peanut gallery...as promised, it's excuses time....I know I don't have my pic game on point, but let me try and illustrate why....J did a great post about the mobile rig and working from home. Nowadays, even major label clients are cutting back and trying to save on budgets. Working at home studios is more and more common. Plus it's always great to do somebody a solid or give a homey price. Soooo...with all that in mind, I wanted to have a rig at the house that could handle all the same projects I'm working on at big studios, for mixing updates and new projects too. Behold...

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The Rig...Mac Pro Quad 3.0 with 8 Gigs of Ram. Housing HD 3 PCIe Accel ProTools 8....

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The Tower....All Apogee converters and Big Ben Clock. Neve 1073 Stereo Mic Pre (API 512s not pictured), Waves MAXX BCL for the loudness you need in your life, 2 Distressors for beating drums...

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The Compy and Toys....NS 10s with a genelec sub, and more toys to keep me entertained that I know what to do with....

This is just to help try and explain WHY my pics (including the ones here) are so lame....ya boy is heavily invested in his future...and I hope blogging is a part of it...however, if this blog thing doesn't pan out, I hope I can keep the day job engineering. So if you'll keep putting up with a few more shitty pics, I'll save up for the camera....ASAP!!!

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Where did he go?

One of my fav songs/mixes off of the Recession, Welcome Back, just released a video directed by one of my fav directors lately Gabriel Hart, check out Rocko's Tomorrow or his latest clip, B.O.B.'s In The Sky. Gabe is getting it in now. Shout out to Les on a great mix and Nico for tracking.


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Tuesday, February 17, 2009

SSS Upgrades...

When you're patchwerk, you're patchwerk for life, but honestly, my favorite room to work at in Atlanta is Silent Sound Studios. It just has my prefered console and Mains speaker array. In addition to that, terrific outboard, a great staff, and good overall vibe. They always had a large ProTools rig, with a great selection of stuff, but until recently it was Power PC....TK (the owner), just MAJORLY uplifted his prada.....the only Intel HD 6 rig I know off. All PCIe, all accell. Screaming fast is an understatement....

And with dual displays.....

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More Killface to keep everyone happy.....

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Some of the Rack Array...

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Along with some of mine...

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....J has a great post about mobile rigs....I'm going to work up a post for that soon....Hope you guys enjoy...

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Mobile Mixing


I wanted to do a post outside of the studio but while i was stil working. Nowadays I spend alot of time doing stuf outside of private studios and comercial places that I frequent. Me and Miles both have rigs set up at our respective cribs and I like to have another option to do smaller things like edits and maybe even some mixing with smaller sessions. I have an mbox pro that i recently retrieved from a producer friend after letting him borrow it until he got his hands on a decent interface for his logic setup. Its nice being able to do smaller projects while im on the go. I pend alot of time away from my house unless Im tracking there or mixing a larger session. I had some mixes I needed to finish for The homie Don Cannon, just mixing some beats he had done in the recent weeks. I have PT version 7.1 running on an older macbook pro with tons of cracks on it. Shoutout to Miles it was his old mobile joint and Ive had for a while now. I pretty much use it to edit and do lil roughs here and there. Its actually pretty dope as you can see from the pics I got a lil mix going on this bad boy and its quick. It has alot of plugins I like to use and for the most part I do it all in headphones until I get it where I think its close then I bounce all the tracks down and burn them onto CD to listen to in the whip. Pretty easy days work I might add.



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Saturday, February 14, 2009

Track Record....well, sort of

Sorry for the delayed post...I was super tired making my way back to ATL....but had a really fun session my last night out there. It was with the cool new artist named Ahmad. He's got a great tone, and so much style it's ridculious. Dude came in rocking the dookie chain and kool moe dee glasses. I was like...."either dude is on some bullshit, or he's really fly". It was the latter.

The studio we were working on was cool too...it was the old Track Record...which was bought by producer Harvey Mason. Here's how it pretty much still looks, minus a different monitor for the computer rig...

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but you know we were on the late night vibe tip....so here was us in action....

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Also, I know i'm gonna catch super hell for this garbage pic, but there was the illest rack selection, because a great engineer named dave russel was camped out in there before us...

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I could rattle off the list, but put it this way.....that many lights = hot shit in the rack. End of discussion.

A solid way to finish up that trip, but like I said, I'm happy to be home, and can't wait to see the folk tonight. Hollertreezadeez

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Friday, February 13, 2009

LAX to ATL connect

Finally about to Depart from the left coast... ATL in 4 hours. I'm happy I was able to get some records cut out here, but I'm also happy to be heading home to see my folk. J got me all gassed on some big plans! Im with it!!! I'll try and do a proper post from my session last night (when I'm not sitting in LAX ...). Worked in a really cool studio with a cool new artist and met back up with a cool engineer. Cool. What an over used word. Laters


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Do Yourself a solid...


and please download Drakes Mixtape "So Far Gone". This shit shouldnt even be free its sooo good. Easily the best sounding mixtape Ive heard, 40 and Drake did their thang. Successful is my shit btw.

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I'm goin in !!!!!!!!!!!


What up everyone, my name is Leslie Brathwaite.

i mix records
i snowboard
i play madden, halo 3, and grand theft auto
i'm about to be a father.

Jeremy invited me to contribute every now and then to the bloggernomics, so here i am......

I'M GOIN IN !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! ............................
.............the other day i got all pissed off at the MUSIC INDUSTRY and went on a rant.... here it its:


First of all, the internet DID NOT ruin the MUSIC industry. That would be like saying ATM machines ruined the banking industry. ATM machines make accessing your money easier and more convenient. Instead of making a trip to the bank to withdraw or deposit money, you can do it from a grocery store (where you can instantly use it). Same concept can be applied to music. The internet is simply a tool thru which you can access, distribute, audition, discover, and conveniently purchase music.

THE PROBLEM is, the music industry was (and in some cases still is) so focused on doing things the old way and destroying internet-music activity, that they didn’t focus any resources on harnessing the power of the internet to ENHANCE music sales. Instead of spending time trying to destroy the kid that came up with NAPSTER, record labels should have found that kid, put him on a payroll and charge him with figuring out a way to come up with a workable, and hacker-free solution to embrace the internet and its power of connectivity to effectively sell music.

APPLE beat them to the punch. They figured out what the record labels should have – if you come up with the coolest gadget to play music on (iPOD), then you come up with a cool interface for the gadget where you can arrange playlists, and PURCHASE your content (iTUNES), you can corner the market. SONY had the same relative game plan in the 80s when they gave us cassettes, but also gave us the cool gadget (the walkman) in which to play the cassettes.

Simply put, the music industry has not evolved enough to keep up with technology and the changes in the world. So…….of course not only do I present the PROBLEM, but here are some ideas for thought that could lead to a SOLUTION.

1. MAKE BETTER MUSIC
Seems like this would be obvious, but for some reason the music keeps getting worse. Now let me clarify something – good music does not ONLY mean live instruments and “taking it back” to live instrumentation with bands, etc. the problem with that is people who want live music or instruments usually tend to sound too old school or dated, especially in the R&B. They tend to focus to much on how things “sounded” before, instead of being PROGRESSIVE and visionary. I think alternative and electronic music is probably best representation of good, progressive, music these days. Hip-Hop is horrible. R&B is boring, Dancehall is pretty stagnant, everyone is either getting lazy, doing the same thing or trying to re-create an era that isn’t coming back.

2. REWORK THE MODEL FOR SELLING MUSIC
Sell the artist not the music. Give away the music and sell everything else. Rick Rubin had an extremely brilliant concept by suggesting iTUNES and other major internet retailers adopt a subscription based service. Pay a fixed amount monthly and download at your convenience. When people aren’t buying what you’re selling, change what you’re selling. When everyone stops buying music, sell the convenience – and everything else you can think of – merchandise, special edition artist based iPods, shows, etc. I touched on this in one of my previous notes when I described how Apple and AT&T re-shaped the wireless cell phone industry by focusing on offering the best PHONE instead of focusing on the SERVICE and the PLANS like everyone else who are all still struggling to catch up.


3. RIGHT PERSON FOR THE JOB
If you took a door, cut it in half, and retro-fit it to be used in a window opening, it would do a horrible job of being a window. Same concept applies to certain people and their jobs in the music industry. Too often, people in this industry want to do too much. Producers and writers want to be artists, A&Rs want to be producers and mixers, Artists want to be writers and producers. Its really f*ckin things up!!!!!!!!! Now I’m not saying that people can’t expand and broaden their horizons, BUT it is becoming ridiculous. I constantly have A&Rs calling me telling me to make a mix sound like an AWFUL ruff mix they’ve been listening to for 4 months. (which is the equivalent of hiring a professional photographer and asking them to use a disposable camera) I’M A PROFESSIONAL MIX ENGINEER, when I mix a record, its going to come out sounding “CLEAN” and professional - if you want your record to sound like a trashy ruff mix, call someone else to do it. Let the MIXERS mix. The fact that you would choose an awful mix (because its what you are accustomed to) over a clean sound means that you are NOT the right person for that job. Same applies to writers who have NO star power but want to be artists. When you have a really great song performed by a terrible artist, you are destroying the industry as a whole. The true stars can’t SHINE because all the very good writers are keeping the hits for themselves. They do the REAL stars, the song, and the music industry a horrible dis-service. USHER would’ve had an awesome album last time around if he'd gotten real hit records from the writers. Instead everyone was just looking out for themselves and not giving him the real hits he deserved. Imagine how much bigger of a record “BED” would have been if that was Usher’s record. (no disrespect intended to J. Holiday, just stating the facts) ............Lets put all the windows back in the window openings PLEASE !!!!!!!!!!!!

4. ACCENTUATE THE POSITIVE
The best way to promote healthy growth of the music industry, is to promote its stars in a positive light. Usher and Beyonce’, two of our brightest stars, are often the targets of negative feedback. The urban stations, DJ’s, and websites tend to always promote all the NEGATIVITY, COONERY and BEEF that makes Hip Hop and R&B in particular look stupid. When CNN and other networks spend years promoting bad news, violence, and controversy – it ultimately lead many people to support the now currently ignorant war, which is largely responsible for our financial demise. Negativity promotes more negativity. Urban DJ’s and Gossip sites should realize this. BET should be cancelled. Its awful. The NFL and NBA have been so successful because they promote their BEST players constantly. The WNBA and the Music Industry could learn a lesson from that. IN THE SAME LIGHT, we should NOT continue to “celebrate” people who continue to use drugs, or make poor decisions. Whitney Houston at this year's GRAMMYs was pitiful, embarrassing, and hard to watch.

5. QUINCY JONES HAS A POINT
The story of music is important. The history, the craft, the passion. Most young artists coming into the game right now have no idea who Rick Rubin is, or how a rock producer was responsible for a huge portion of today’s hip hop. They have no respect for the game, or for those that paved the way. As a result, they don’t give it their heart and soul. They want fame and money and they think the game owes them something. I think it was very important for P. Diddy to make the season one crew of “Making The Band” walk to JUNIOR’S to get him some cheesecake, or when he made them learn all the lyrics to “Juicy” by Notorious B.I.G. – he wanted them to respect the come up, the grind, and all that came before them to pave the way. VERY IMPORTANT.

6. CHANGE YOUR VIEW OF SUCCESS
There’s a really annoying trend that breeds negativity in the industry. When an artist doesn’t go gold or platinum…OR if they don’t sell a million copies in their first week, they automatically feel like a failure. The labels help this ignorance by putting so much focus on record breaking sales. The math is simple. If you spend $300,000.00 making an album, and you sell 200,000 copies@ $8 per copy, then you just grossed $1,600,000.00 – That’s a success. You spent 300k and made 1.6 million! If the money were spent better, distributed more fairly, and accounted for more accurately, everyone would be happy. The greed by the labels cause them to try to spend less to make the album, which results in poor product, which results in poor sales. Its not complicated.

7. STOP OVERTHINKING
I sit in sessions all the time where label execs, artists, and producers spend too much time overthinking everything. They sit there trying to make records for the CLUB or for the GIRLS or for the STREETS!!!!!!!!!! JUST MAKE GOOD RECORDS. The records will find their own way to the appropriate place. Everyone rushes to do a record with someone just based on if they are hot at the moment and totally forgetting about chemistry and vibe. I’ve seen people destroy their careers because they were overthinking what single should be first and founding their decision on all the wrong things.

yep, ......... i'm mad.

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Wednesday, February 11, 2009

You know what needs to come back....



Boosh, Sax solos....i'm in session right now, and we spent like 15 mins going thru keyboards looking for a saxophone sound that wasn't super fake and cheese dick...and I got to thinking...damn, what happened to all the Sax solos from the 80's. Everybody still remembers good guitar solos (J ....Van Halen sees you), but peeps try and front like Sax solos weren't the shit.

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Tuesday, February 10, 2009

Lock it up..

Matching your hoodie and shoes is soooo last year. Now a days, if you wanna be fly at the studio, you need to have all that, plus coordinating food. Hollertreezy....Oh, and that video is off the yelzabub J....get involved.

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Dope Vid Director: Ray Kay

Love the song and Ray Kay has to be if not my favorite video director, very close to it. Some of these scenes are just crazy, glad to see he did his first single last time and hes back for the second go around. Really good shit here check it out! Im gonna post some more of Ray's stuff his photography is dope as well.




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Monday, February 9, 2009

Back to Paramount...

Back To Paramount today, but in the C room...which despite 3rd alphabetical listing, is the nicest room they have at Paramount...Nice 9000J SSL

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...and a really big live room. To dark for a decent pic (don't wanna catch any hateration from Pratt about pic fidelity so i'm just not gonna post one....


Great set up for the Rack Gear in the C Room...

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...I've always wondered why in more mix focused rooms, they don't have rack gear at ear height, thus allowing for adjustments at ear level, instead of hunched down in a rack....still not wasted space below either, some shelfs for storage and a credenza of sorts....

This is how we had the keyboard Set up...

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...also, peep Alek TOTALLY addicted to imob on his iphone...I think he was in the middle of pulling off a diamond heist or something here...perhaps beating an old lady for her purse....who knows....ahhhh iphone. Ruining the attention span of assistants across the globe.

And here's me....

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getting down to tuning the vocals....Well...that's it for now...more later.

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Saturday, February 7, 2009

Henson

Shifted over to Henson studios today....which is a really nice room.

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They have a cool vibe, and everything is really well organized. Plus some nice rack gear too...

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My assistant was named James, and he's cool as hell.

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More to come...probably on the mobile blog tip...laters...

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you dont' see this every day...

At Paramount A room...they have a cool SSL 6000. Which for anybody who hasnt' seen, it's quite close to a 4000, but with a 3 bus (A,B,C) master section instead of the 4000 "Quad Bus". It's pretty cool, a few difference in the master section....and the one here is modded out with E series EQs...which sound awesome for lots of stuff....

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The coolest mod though is at the end of the desk...

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....stereo channels! Kinda cool for a one fader EFX return..and his a sweet stereo spread pot instead of left right...


There was a decent rack selections too....sorry for the weak sauce pic though..

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....still not up on my high rez pic game. And for all the readers that aren't teched out nerds...



...I been up in here trying to get a mothafucking scholarship!

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Friday, February 6, 2009

Paramounting...

Still over here at Paramount...which is part of a group of 3 studios, Encore, Ameraycan, and Paramount. They do a wide variety of types of music....hell, they are working on a Courtney Love record downstairs right now! (is that chick even still alive???)....so that's kinda cool to see. I THINK we may have a session over at Encore on Saturday, so it'll be nice to compare the different rooms, and share with Gridlock land...here's what it's been like so far....

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Thats me looking suspect and Alek, the assistant who's cool, and hella knowledgable on some tech stuff....we nerd out. It rocks.

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This is the desk upstairs in B, where we worked today...it's a SUPER old E series 4000 SSL...don't see too many of these, and in a 48 channel config too...

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This is me fake stunting in front of Eric Hudson's keyboard set up.....kinda funny, come all the way out to LA to work on some more of the same stuff we were working on back in ATL last week. But it's been good.

Aight...more to come...Let's gooooooooooooooooooooooo

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Thursday, February 5, 2009

Mobile pics from paramount!

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paramount on the go..

So had the start of some good sessions with Mishon, a new act on Interscope. He's a cool young dude with a good vibe and great voice... Trying to show some pics here of him .. All from the moblieness.. Let's see how it goes


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Wednesday, February 4, 2009

get your mobile on...

Okay.. Big moves in gridlock land... Trying for the first mobile blog post. So no hating if it's kinds garbage...or hating if it doesn't show up at all and I just spent 10 mins typing to myself. Wait, then only I would be hating on myself. Damn you self!!! ... Anyway, trying to report live from the west west today...
A proper blog coming, I hopes tonight...

Mobile Blogging from here.

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Monday, February 2, 2009

Randomness.And Pics to boot.

So i spent most of my day sleeping and chilling till it got close to game time. Went to a party with Ryan Good and My Arie. Had a blast, JoJo knows how to throw a party, felt like half of Atlanta was there. We slid out during halftime to watch the rest of the game at PWR with the crew. I find it important to balance work and just being around your peeps and enjoying the downtime. I usually take my sundays off to be with my friends and see whats going on and whatnot. Funny how i always end up at a studio some way some how lol.



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