STILL still on it at PWR

Yessir...the work up here continues...as it's been going well writing and getting some ideas together. I'm still slipping on getting my camera game up to par, so please forgive me for now....



This was our set up when writing with Eric Hudson. Dude is crazy talented, and is fun to record, because he doesn't sequence anything, he plays it all live...the closest thing you're going to get to rocking with a live band these days! He doesn't use any software synths (which I tried to help him get up on, cuz he travels a lot and his rental bill is SUBSTANTIAL), but uses the Fantom for a lot of horns, and the motif for a lot of stings and stuff. It was a good hang, and got some cool ideas put down.



I'm not going off on a rant here, but to all the folks out there recording...PLEASE keep those sessions well organized and labeled. There is nothing worse than working on a session somebody else recorded and see the tracks labels audio 1-97. Come on man....we are professionals here, this is our science. Scientist label shit. End of story.

Stopped by the office the other day for a nice biz transaction with Ben Allen...results to be posted shortly during my gear extravaganza post...and saw Monica and Brad and the Milk Money mascots Juno and Coltrane!



Well....that's what's been up for a few days....I'm working up that nice gear post....but will probably hit up some ridiculous topic like favorite studio foods first to balance out my nerdom. Hollertreezaleeezy 9000.